David Bowie was such a masterful artist that he could write songs that others could only dream of and give them without thinking. There has never been a struggle for creativity or an inability to write a killer tune, especially in 1972. Everything he touched in that era turned to gold, and he was shooting all of them. cylinders, the word “dud” did not exist in Bowie’s vocabulary at the time.
‘All The Young Dudes’ is a song of extraordinary charm and beauty; it perfectly sums up everything great about the glam-rock movement and has Ziggy Stardust DNA all over it. However, Bowie wasn’t looking for a hit, he already had plenty and he just wanted to help out a band he loved. He enjoyed working with other artists, whether in a production capacity with such figures as Iggy Pop and Lou Reed, whom Bowie greatly elevated both artistically and by association or by acting as a secret songwriter. , more than happy to give songs to some of his favorite artists.
Mott The Hoople was a band Bowie had a great love for, the Herefordshire rockers had been together for three years, and their kind of glam-rock was one he wanted to reach the heights he felt he deserved. Bowie initially gifted them “Suffragette City” after finding out they were on the verge of going their separate ways and wanted to help them through the rough patch in any way they could. Remarkably, they dared to refuse the track, but that didn’t deter Bowie from his quest to help them as he went on to write “All The Young Dudes” and the band couldn’t turn down such a delicious song.
“He liked our image and sent us a telegram inviting us to his agent’s London office,” Verden Allen, Mott The Hoople keyboardist told WalesOnline. “He wore a blue catsuit and played us Dudes on a blue acoustic guitar. We had never met him before, but he just had that unmistakable star quality in him. After that he and me went for pizza – he looked very skinny, like he hadn’t eaten in a few days. I remember him putting his single Starman on the jukebox and telling me: ‘Your song will be here before too long’.
“People thought we were David’s proteges – no one had realized that we had played for a few years before,” said Verden who then spoke about the problems with this success due to Bowie’s help. . “I think we were all pretty confused at the time because we all thought David would come back to help us out again with another song,” he added.
“As a result, we wondered which direction the band should take and Ian (Hunter) was increasingly taking things in the direction he wanted them to go. None of the songs I was writing had been viewed, so I thought “Stuff this” and quit. It’s a ridiculous thing to do when you think about it, but I had finally found the pot of gold at the end of the rainbow. I realized I didn’t want it anymore, ”continued Verden.
David Bowie reminded Mojo in 2002: “I literally wrote that within an hour of reading an article in one of the musical rags, their breakup was imminent. I thought it was a good little band, and I almost thought, ‘This will be an interesting thing to do, let’s see if I can write this song and keep them together.’ It sounds awfully modest now, but you go through it when you are young.
The band toured with Bowie in support of their US tour after the success of “All The Young Dudes” and The Starman duet with them every night, but they no longer felt like their entity and couldn’t cope with operating. in Bowie’s shadow. They were already on the rocks before their new mainstream hit and getting that hit on someone else’s heels wasn’t right for the group.